How To Accentuate Your Pad Parts
Music Theory and Pad Theory for Church Pads
Introduction
This article is for those who would like to understand the music theory of pads in church. Some of the technique is mainly structured around the Roland System-1, but should apply to all other synthesizers. I am assuming you have only four note polyphony.The synthesizer is mainly a supporting instrument in church. This is not to say that it cannot be a lead instrument (cf. Hillsong), but it is mostly supporting. Its strength is that it is versatile and can do many things. Even if not used for a while song, it can be used (for example) to play harp accents and bells. How you use it determines what it is.
How to Play Pads
Typically, the pads are used for their more
sustaining sound. This pads like (Roland System-1) PD Dark Pad are best. Key
features of a good church pad are usually a slightly soft
attack, lots of sustain, and a bit of reverb. On a
synthesizer with a filter (ADSR), this would typically mean all
sliders in the middle of their range. The attack time can
be reduced (that slider lowered) if this is too slow.
How you play pads depends mostly on the song,
but typically pads are played in a very legato fashion, holding
down the keys as long as possible, and only moving when
necessary.
Here's an example: the verses of Hear Our
Praises:
Fingers (high to low) |
C |
Csus |
G/B |
Am |
F |
Gsus |
1 |
C |
C |
B |
A |
F |
G |
2 |
G |
G |
G |
E |
C |
D |
3 |
E |
F |
D |
C |
A |
C |
4 |
C |
C |
B |
A |
F |
G |
As you can see, you probably won't want to
leave many fingers down on the keys. Using a sustain pedal
should help a bit. Listening to the song, the musicians
seem to be emphasizing this sort of melody line that the top
note (#1) sort of creates.
Set Up Drones
Drones are usually notes that are held down
during an entire song. Not all songs lend themselves to
this concept, but some do.
First, find all the notes that your song uses
and study them. Here's an example: the song Build My
Life:
Chord Factor |
G |
C |
C2 |
Am7 |
Em7 |
Dsus |
1 |
G |
C |
C |
A |
E |
D |
2 |
B |
E |
D |
C |
G |
G |
3 |
D |
G |
E |
E |
B |
A |
4 |
G |
G |
D |
Looking at this table, we see that a very
common note for every chord is the G note. Therefore, if
we want a drone, we could (using KEY HOLD or the sustain pedal
held down) play octave G notes (probably above middle C).
We can do this only because this D chord is suspended (to the
4th factor, G). The verses don't contain an unsuspended D
chord, so if the D chord in the chorus was not suspended, we
would need to shut off the drone on the choruses to prevent a
minor 2nd clash (F# and G).
I usually only do a two-note G-G drone like
this when I must also play electric or acoustic guitar.
KEY HOLD on the System-1 can be a very useful feature.
As a side note, this is why I do not endorse
using iPad MP3 pads in church if the operator never switches
chords. Whether everyone hears the clash or not,
it's there, and it's less than ideal. I would instead
recommend something that Peter James
does: set up a sampler and record pad chords, so you can change
pad chords with the song's chords.
This doesn't mean the pad player must use a
drone. But if you would like to play more than two notes,
you can use other notes. But my preference would be to
have at least one "G" note in each chord, and possibly
two. So I could instead play the notes like this, on the
chorus:
Fingers (high to low) |
C2 |
Am7 |
G/D |
Em7 |
1 |
G |
G |
G |
G |
2 |
E |
E |
D |
E |
3 |
D |
C |
B |
D |
4 |
C |
A |
D |
E or B |
That way, people can sort of hear the drone
in the upper register, because that's always a G note.
Know The Function of Minor 7 Chords
You may have noticed that some songs use
minor chords with the minor 7 while some do not. The
function of a minor chord with a minor 7 is to sort of "soften"
how minor a chord sounds. It's more "gentle."
As a pad player, you don't technically have
to play the minor 7s with the minor chords. I would
recommend playing them whenever the song tells you to, but
sometimes chords move too fast for this, or you are still
growing and learning as a keyboard player. That's fine.
Know How to Playing Strings
It's important that, as a keyboard player,
you learn to read string parts. Some songs that some
churches buy contain a string condensation for the synthesizer
player. When playing strings, I would recommend trying to
read off of this sheet as much as is possible.
If you cannot, maybe a lead sheet (with
chords) will work better for you. I would recommend you
keep learning how to read music so that you can eventually read
the string condensation music. Many good lead sheets for
church use tell you what the strings are doing using words,
which tends to make it easier to use a keyboard to simulate
strings.
Know Where You Fit in the Band
As a pad player, your job is mainly
supportive. So if your church has a string player already,
and you want to be the second keyboard player, you might be
taking a back seat role. My advice would be that if you
have a solid keyboard player playing strings on another
keyboard, get the conductor's score and find something else to
contribute. For instance, I tend to switch to harp and
bells on songs that don't have synth pads. Know where you
fit in the band, and don't duplicate someone else's role if you
can help it.
Have a Servant Mentality
Because pads are often supportive, it's
beneficial to be in a servant mentality. Think about and ask how
you can support the worship and the songs. If you come
into it with a mindset of heavy Vangelis-like patches, that
probably won't contribute to the song. Don't get me wrong:
I would love to attend a church whose style of music is like
something out of a Tron movie. But most churches simply
don't do that.
Listen to the sonic landscape as you play and
find a place to anchor yourself. Listen to the recordings
and how the small accentuating elements contribute to the
song. For example, say you're playing Every
Praise and you already have a piano player and a keyboard
string player. You can still contribute, like playing the
bell accents every 8 measures.
Know When Not To Play
Constantly playing pads can become
monotonous pretty quickly. My advice is to know when to
play and when not to play. Mostly, the music should tell
you when to do either thing. Make sure you also watch the
leader to know when to stop.
Sometimes it's helpful, in terms of providing
contrast, for the music to stop, or for only one instrument to
continue playing, such as the acoustic guitar. Maybe once
in a while everyone but the pads will stop playing. Learn
to sense the music, watch the leader, and sense the Holy
Spirit's moving.
Learn Your Instrument
This is more of a performance note, but say
my church is playing the song Greater Things by Phil Wickham,
for example. If I set up my System-1 correctly, I can
switch back and forth between leads and pads, assuming there's
no electric guitar to play the leads. Usually, with my
synth, this involves switching to the appropriate pad patch,
then dropping the LPF CUTOFF knob to zero. Raising it to
50% usually results in a good pad sound. To play lead, I
can bump the LPF CUTOFF to about 75%. That means I can
switch quickly between the two. I can also use presets to
do this.
Sometimes songs get complex. The point
here is that learning your instrument's capabilities and
limitations, and practicing switching over, etc, are very
helpful. You don't want to accidentally make mistakes that
interrupt the flow of worship or are distracting.